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This is a place I will share what's new in my bassoon studio at the University of the Pacific Conservatory of Music. I will post announcements and things to think about. Enjoy! I started this blog when I taught at Wichita State University, so the posts before Fall of 2008 are about WSU life. You can count on me posting news about former students, current students, my travels, and anything that I get excited about. To find out more about UoP, go to http://www.pacific.edu

Wednesday, September 28, 2011

Martinu, La Revue de Cuisine

Tabitha Tsia, violin; Jordan Lomeli, cello; Becky Morey, piano; John Johnson, trumpet; Bernadette Wallace, bassoon; Ryan Huddelston, clarinet.

One of the greatest features of the performance program here at Pacific is the chamber music feature.  At the schools I attended or have taught at, chamber music can be kind of a scramble.  Students have to find their groups, find their coaches, add the course on time, figure it all out.  A wind player will most likely play in pretty traditional arrangements, like a trio or a quintet.  Here, at a meeting of all the coaches, every single person who registers for chamber music gets placed in a group (and students can request particular groups, if they already have a plan and know what they want to do.)    It allows for the kind of experience pictured above-- winds, strings, brass, and piano all working together. 

Scheduling has been tricky, not because of the instrumentation, but that there are 7 people involved in this project.  When we overlapped our schedules using Google Calendar, not a single space was open from 8 to 5. We met last night at 8pm, which only works on evenings that I don't have rehearsals.  Other coaching time is Friday at 4:30pm.  Good thing the group is great-- these coaching times are not ideal, so it helps that it's a great group!

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